I have a cooked lobster in my freezer that I use for reference when I’m doing a painting that has a lobster in it. Over the years he (or she) has starred in quite a few of my works, most recently a rock pool painting where he is intimidating a blenny. I love lobsters, I love eating them but mostly I love drawing them. They are an artist's dream: the claws, the beady eyes, the sweep of the antennae (with which they smell and feel their surroundings). When I’m painting a lobster I relish putting in the spots and spikes that cover the shell. Drawing a lobster is a challenge because of the intricate face (is that the right way to describe a lobster's visage?). There are all sorts of appendages and mouth parts as well as the antennae that force you to really look and study how it all works.
Every now and then, when I am rooting about in my freezer looking for something for supper I’ll come across the lobster, wrapped up tight in cling film, and get him out to draw. Each time he gets more whiffy, but he is holding up well and I’m sure he has a few more paintings in him yet.
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